Affichage des articles dont le libellé est US Pop. Afficher tous les articles
Affichage des articles dont le libellé est US Pop. Afficher tous les articles

jeudi 2 avril 2020

Someone's Gonna Break Your Heart: goodbye Mr Schlesinger...& thank you. ENGLISH


This morning, a vigorous jump out of bed... another day of confinement and teleworking for the reason which has kinda been a bit the worldwide reason for a few weeks: Coronavirus.
Preparing morning tea (nope, still haven't fallen for "morning coffee" like millions of normal people), opening the laptop, Outlooks and the Internet world where we lay our eyes are on a multitude of information. This morning thoug, one of them catches my eye and makes me shudder... At first, I don't believe it. I'm checking the information... which unfortunately turns out to be true: Adam Schlesinger, co-founder of the Fountains of Wayne, died on April 1st of complications due to this f**ing Coronavirus. 

I can't remember the exact year I heard the Fountains for the first time. Most likely in the late 90s since I remember I was still at college. However, one thing is certain: on every laptop, on every device I use to listen to music "on the road" that I have had since, there is systematically all Fountain of Wayne albums. Why? Because they are one of those artists whose melodies are made of both "good vibes" and whose melodies remain in your head for a good time... A hint of pop, a few notes of rock for songs which, despite the passing years remain timeless. When you have a strong Beatles influence in your blood, difficult to do otherwise, you will say…



Summarizing Adam Schlesinger's career is extremely complicated because the musician is a multifaceted artist and a workaholic. Songwriter, musician, producer, sound engineer, etc. are all the caps he wore - sometimes simultaneously - in his career.

Here, in Belgium, only a few connoisseurs or fans know his name and the huge CV behind the New York man… but I can guarantee you that you have more than certainly already heard if not one of his songs, at least one artist with or for which he has worked.

If we withdraw his bands from the equation his bands Fountains of Wayne, Ivy, Tinted Windows and Fever High, we can - for example – write a few things about his career as a songwriter for... cinema.

Do you remember That Thing You Do!, Tom Hanks’ first directorial movie - for which he also wrote the screenplay - about the tribulations of a young band from the 60ies whose first song - the title of the film - was a dazzling success? Schlesinger is the father of this pop song, for which he got an Oscar nomination.



He’s also the man behind several songs from Music and Lyrics, with Drew Barrymore and Hugh Grant, released in 2007, including The Way Back Into Love. Certainly a sweet one but once again a melody that stays in your mind… 




In 2012, he also wrote The Master of the Seas song for the animated movie Ice Age: Continental Drift, sung by some of the usual characters of the series but also by Jennifer Lopez and Peter Dinklage, our favourite dwarf from Game of Thrones.




Through his work with Ivy, a friendship was formed with the Farrelly brothers. Proof of this are the band songs that appeared in no less than 4 films of the brothers: There's Something About Mary (1998), Me Myself and Irene (2000), Shallow Hal (2001) and Fever Pitch (2005). 

In 2007, he works on a musical based on John Waters' great classic Cry-Baby, which starred a young Johnny Depp. The musical will get several Tony Awards nomination.
In 2015, he also wrote I Have Faith in You for An Act of God, a play whose hero was played by Jim Parsons. Yes… THE Sheldon Cooper of The Big Bang Theory.

Speaking of television, he has worked on a few things too and his experience in musicals has often paid off: in addition to compositions for ceremonies such as the Tony Awards (It's Not Just For Gays Anymore - 2011, sung by Neil Patrick Harris), Billboard Music Awards, The Howard Stern Show, Sesame Street (which won him an Emmy in 2011), Saturday Night Live, his compositions were also sung by Elvis Costello in the special program A Colbert Christmas: The Greatest Gift of All!, in 2008.
Another visually impressive moment was the opening scene for the 2001 Emmy Awards, sung by Jane Lynch, for which he wrote the song TV Is A Vast Wonderland. This opening provides a few good and well-known faces of TV, starting with Leonard Nimoy, the late Mister Spock from the Star Trek series.




If he was known for his qualities as a bass player, the first instrument he learned to play as a kid was actually… the piano. He later learned the bass because he had "a hard time being that kid behind the keyboard that you put in the back of the stage." Yet it was the piano that Schlesinger played on The Bells, B-side song of the Smashing Pumpkins’ 1996 single Thirty-Three. That was also the beginning of Schlesinger and James Iha’s friendship and the latter invited him later to play on each from his solo albums (Let It Come Down, 1998 and Look to the Sky, 2012).



Being under contract under the same record company, Schlesinger ran into Taylor Hanson in the 90’s but the general public would still have to wait another decade before this trio finally added a drummer and form Tinted Windows to release in 2009 this awesome album that is... Tinted Windows.



Adam Schlesinger also wrote or produced songs for other artists such as Crash Test Dummies (Laid Back, 2008), Dashboard Confessional (Alter the Ending, 2009), Chesney Hawkes (Stay Away Baby Jane, 2008)… He also entirely wrote and composed Emmanuelle Seigner’s third album, Distant Lover. A little gem that I recommend to you... If I weren't a fan of Mr Adam, I surely would never have found out that Seigner was a singer.



The Fountains of Wayne have come to Belgium four times over the course of their career. They are therefore part of these groups which, if you are a fan, you must secure yourself a ticket, just to make sure you’ll be at this concert. This is exactly where I was on November 7th, 2011 : at the Botanique in Brussels. An experience I wrote about (in French) in one of the very first articles of this blog.

2011-11-07th Adam Schlesinger at Le Botanique, Brussels (Belgium)

Little did I knew, when I bought my ticket and spent time with the Bota audience, was that fate was going to play a nice trick on me after the last music note was played. By hanging out a bit after the concert, our little group had the chance to see Jodi Porter, the guitarist of FoW and... Adam approaching. An opportunity coming up like this, one has to take it. So I approached Adam to ask him for a photo with him and Jodi, whom he accepted with good grace, and we started to chat…
I have since have been extremely lucky to meet some artists, some actors and actresses but this meeting is a one of a kind because Adam and Jodi are in fact the first two “celebrities” I took a photo with. 




Beyond this "first", I especially have a fond memory of this discussion with Adam. Despite an already impressive career, Adam was extremely kind to us and, with a very good sense of humour, told us – to explain the long gaps between two Fountains of Wayne albums - that he was a "lazy" musician. Great irony when you know... that he never stops working.

That he never stopped working.

It still seems surreal to me, here and now, to use the past tense but with Adam’s death, it is clear that now, it is the only conjugation which turns out to be correct to speak of the Fountains of Wayne, of Ivy, Tinted Windows or Fever High, his side-projects.

As far as I can remember, I can’t recall hearing him singing anything other than choirs. Adam Schlesinger has always been a discreet artist who expressed himself through his musical notes and the lyrics he let others sing. With one exception... Between 2015 and 2019, Adam brought his music touch into the Crazy Ex-Girlfriend TV series, a slightly offbeat comic-musical series. In 2018, he joined the TV cast during a mini-tour where fans could finally listen to composer's voice and... the crazy lyrics of the Crazy Ex-Girlfriend songs. Last September, Schlesinger received an Emmy for Antidepressants Are So Not a Big Deal, written for the show.



Someone’s Gonna Break Your Heart is another FoW song that I really love… It’s true, there’s always someone to break your heart. Today, it is you, Adam, who broke mine by joining other people, anonymous and other artists, following complications from this bastard virus… Here, I am still writing in the present tense. Because I still don’t want to write in the past tense.

But nevertheless, life will definitely go on, in a world... without you, man. But thank you for these great and amazing songs that I’ll always keep around my household. Definitely.





Someone's Gonna Break Your Heart: goodbye Mr Schlesinger...& thank you.


Ce matin, saut du lit… une autre journée confinement et télétravail pour la raison qui est un peu la raison mondiale depuis quelques semaines : Coronavirus.
Préparation du thé du matin (non, je ne me suis toujours pas mise au « café du matin », comme des millions de gens normaux), ouverture du PC, des messageries, du monde de l’Internet où nos yeux se posent sur une multitude d’informations. Sauf que ce matin, l’une d’entre elles accroche mon regard et me fait frémir… Dans un premier temps, je n’y crois pas. Je vérifie l’information… qui s’avère malheureusement exacte : Adam Schlesinger, co-fondateur des Fountains of Wayne, est décédé ce 1er avril des suites de complications dues à ce putain de Coronavirus.

Impossible de me souvenir de l’année où j’ai entendu les Fountains pour la première fois. Très probablement fin des années 90 puisque je me souviens que j’étais encore aux études. Par contre, une chose est certaine : sur chaque PC portable, sur chaque appareil me servant à écouter de la musique « on the road » que j’ai eu depuis se retrouvait systématiquement l’ensemble des albums des Fountains of Wayne. Pourquoi ? Parce qu’ils font partie de ces artistes dont les mélodies sont faites à la fois de « good vibes » et qui te restent dans la tête pour un bon moment… Un soupçon de pop, quelques notes de rock pour des morceaux qui, malgré les années qui passent, restent intemporels. Quand on a une forte influence Beatles dans le sang, difficile de faire autrement, me direz-vous…



Résumer la carrière d’Adam Schlesinger est extrêmement compliquée parce que le musicien est un vrai touche-à-tout et un bourreau de travail. Auteur-compositeur, musicien, producteur, ingénieur du son, etc. sont autant de casquettes qu’il a portées – parfois simultanément - dans sa carrière.

Seuls quelques connaisseurs ou fans connaissent son nom et l’énorme CV qui se cache derrière le New-Yorkais… mais je peux cependant vous garantir que vous avez plus que certainement déjà entendu si pas l’une de ses chansons, au moins un artiste avec ou pour lequel il a travaillé.

Si on retire ses propres groupes (Fountains of Wayne, Ivy et Fever High), on peut par exemple évoquer sa carrière d’auteur-compositeur pour… le  cinéma.

Vous souvenez-vous du film That Thing You Do!, la première réalisation de Tom Hanks, également auteur du scénario, et suivant les tribulations d’un jeune groupe des 60ies dont la première chanson – le titre du film - connait un succès fulgurant ? C’est Schlesinger qui est le papa de ce morceau pop à souhait, qui lui vaudra une nomination à l’Oscar.



On le retrouve aussi derrière plusieurs chansons du film Music and Lyrics, avec Drew Barrymore et Hugh Grant, sorti en 2007, dont la Way Back Into Love. Certes mielleuse à souhait mais encore une fois une mélodie qui reste en tête…



C’est lui aussi qui écrit en 2012 le morceau Master of the Seas pour le film d’animation Ice Age : Continental Drift, interprétée par quelques-uns des personnages habituels de la série mais aussi par Jennifer Lopez et Peter Dinklage, notre nain préféré de Game of Thrones.




Au travers de son travail avec Ivy est aussi née une amitié avec les frères Farrelly puisque des morceaux du groupe sont apparus dans pas moins de 4 films des frangins : There's Something About Mary (1998), Me Myself and Irene (2000), Shallow Hal (2001) et Fever Pitch (2005).

En 2007, il adapte en comédie musicale le grand classique de John Waters, Cry-Baby, qui avait assuré les débuts de Johnny Depp. La comédie musicale sera nominée plusieurs fois aux Tony Awards, le pendant des Oscars pour les comédies musicales.
En 2015, il a également écrit le morceau I Have Faith in You pour An Act of God, une pièce de théâtre dont le héros était interprété par Jim Parsons. Oui… LE Sheldon Cooper de Big Bang Theory.

En parlant de télé, il n’est pas en reste non plus et son expérience en comédies musicales s’est souvent avérée payante : outre des compositions pour des cérémonies telles que les Tony Awards (It’s Not Just For Gays Anymore – 2011, chantée par Neil Patrick Harris), Billboard Music Awards, The Howard Stern Show, Sesame Street (qui lui vaudra un Emmy en 2011), Saturday Night Live, il fait aussi chanter ses composition à Elvis Costello dans l’émission spéciale A Colbert Christmas : The Greatest Gift of All !, en 2008.
Autre moment visuellement impressionnant, la scène d’ouverture des Emmy Awards de 2001, chantée par Jane Lynch, pour laquelle il a écrit le morceau TV Is A Vast Wonderland. On y voit se succéder un sacré paquet de stars de la télé, à commencer par Leonard Nimoy, le regretté Mister Spock de la série Star Trek.




S’il était connu pour ses qualités de bassiste, c’est pourtant le piano qui l’a plongé dans le monde de la musique alors qu’il était encore enfant. Il a ensuite appris la basse parce qu’il avait « du mal à être ce gamin derrière le clavier qu’on plaçait à l’arrière de la scène ». C’est pourtant de ce piano que Schlesinger a joué sur The Bells, face B du single Thirty-Three des Smashing Pumpkins en 1996. Une belle amitié s’est instaurée entre lui et James Iha et ce dernier l’invitera à jouer sur chacun de ses albums solos (Let It Come Down, 1998 et Look to the Sky, 2012).



Ayant à cette même époque la même maison de disques, Schlesinger rencontre  Taylor Hanson mais il faudra cependant encore attendre une dizaine d’années avant que ce trio rajoute un batteur pour former Tinted Windows et sortir en 2009 ce génialissime album qu’est... Tinted Windows.



Adam Schlesinger a également écrit ou produit des morceaux pour d’autres artistes tels que les Crash Test Dummies (Laid Back, 2008), Dashboard Confessional (Alter the Ending, 2009), Chesney Hawkes (Stay Away Baby Jane, 2008)… Il a aussi entièrement écrit et composé le 3e album d’Emmanuelle Seigner, Distant Lover. Un petit bijou que je vous recommande… Si je n’étais pas fan de Mr Adam, je n’aurais en tout cas jamais su que Seigner était chanteuse.




Les Fountains of Wayne sont venus quatre fois en Belgique sur leur carrière. Ils font donc partie de ces groupes dont, si vous en êtes fan, il vous faut y courir, à ce concert. C’est ce que j’ai fait le 7 novembre 2011, au Botanique à Bruxelles. Expérience que j’ai racontée dans un des tout premiers articles de ce blog, à vrai dire.

2011-11-07 Adam Schlesinger at Le Botanique, Brussels


Ce que je ne savais pas, en achetant mon billet, en passant ce moment avec le public du Bota, c’est que le destin allait me jouer un joli tour une fois la dernière note jouée. En trainant un peu après le concert, notre petit groupe a eu la chance de voir approcher Jodi Porter, le guitariste des FoW et… Adam. Une occasion pareille, elle se saisit. J’ai donc approché Adam pour lui demander une photo avec Jodi et lui, qu’il a acceptée de bonne grâce, et pour discuter un peu… J’ai depuis eu la chance de rencontrer quelques artistes, quelques acteurs et artistes mais cette rencontre est marquante parce qu’Adam et Jodi sont en fait les deux premières « célébrités » avec lesquelles j’ai fait une photo.



Au-delà de cette « première », je garde surtout un beau souvenir de cette discussion. Malgré une carrière déjà bien remplie, Adam a été d’une extrême gentillesse avec nous et, avec beaucoup d’humour, nous a dit être un musicien « paresseux », expliquant ainsi les écarts si longs entre deux albums des Fountains of Wayne. Grande ironie quand on sait… qu’il n’arrête jamais.

Qu’il n’arrêtait jamais.


Il me semble encore surréaliste, là, maintenant, d’employer le passé mais avec le décès d’Adam, force est de constater que maintenant, c’est la seule conjugaison qui s’avère correcte pour parler des Fountains of Wayne, d’Ivy, des Tinted Windows ou de Fever High, ses side-projects.

De mémoire, je n’ai jamais entendu le son de sa voix pour autre chose que des chœurs. Adam Schlesinger, partout où il est passé, a toujours été un artiste discret qui s’exprimait au travers de ses notes de musique et des paroles qu’il laissait à d’autres le soin de chanter. A une exception près… Entre 2015 et 2019, Adam a apporté sa touch à la série Crazy Ex-Girlfriend, série comico-musicale un brin décalée. En 2018, il a ainsi rejoint l’équipe de la série lors d’une mini-tournée où les fans ont ainsi pu expérimenter en live la voix du compositeur et… le décalage savoureux des chansons de la série. Grâce à cette série, Schlesinger a obtenu en septembre dernier un Emmy pour la chanson – ça ne s’invente pas - Antidepressants Are So Not a Big Deal.



Someone’s Gonna Break Your Heart, une autre des chansons que j’aime beaucoup des FoW… C’est vrai, il y a toujours quelqu’un pour te briser le coeur. Aujourd’hui, c’est vous, Mr Adam, qui a brisé le mien en allant rejoindre d’autres personnes, des anonymes autant que d’autres artistes, suite à des complications de cette saloperie de virus… Voilà, je parle encore au présent. Parce que je n’ai toujours pas envie de parler au passé.

Mais pourtant, il faudra penser à continuer le fil de sa vie, dans un monde... sans toi, mec. Mais merci pour ces chouettes chansons qui, elles, resteront toujours pas très loin.




jeudi 5 décembre 2013

Imagine Dragons – Cirque Royal (29/11/2013) ENGLISH


Some things never change… Anyway, why would anyone like to deprive himself or herself of good times? Although… sometimes a change is for the greater good. I'll explain my thought later…
So here I am back to an Imagine Dragons show… Third time in 13 months' time. Seems to me that it's kind of a long-time relationship now… :D 

My day had not started well: strike of public transportation to begin with, a few insomnia nights and busy week schedule (aaah pros and cons of living more than one life at a time… :D ) and here I was, spending most of my Friday pinching myself to stay focused at the office. I was glad to see the ID guys again but was exhausted… And yet, I had the feeling that once they'd start playing, I could probably forget about… well… basically everything. I was right. 

I can't tell much about "The Moth and The Flame" since my two friends and I were wandering in Brussels' streets to find a place to park the car while they were playing. Too bad since the band's drummer was actually… a member of the first line-up of Imagine Dragons. 

Before the arrival of Imagine Dragons, I thought it'd be safer for me to find some ear plugs since I had forgotten mine at home. Sometimes I don't need them (and I didn't need them on the band's two first shows) but safety first… Here I am asking for those on the bar when… the lady tells me… the price. What??? I knew music venues have an obligation to have ear plugs at people's disposal but it's the VERY first time I have to pay for those. Ancienne Belgique and Lotto Arena in Antwerp have seen me a few times this year but they never made anyone pay for people' ears security. It wasn't that expensive and I'm no Ebenezer Scrooge but it still bugs me and I couldn't let this go and not mention it here… 

L. to R. : Ben McKee, Dan Reynolds, Wayne Sermon & Daniel Platzman
American Music Award for "Favorite Alternative Artist" (November 24, 2013)

Let's come back to our show… The boys finally come on the stage of Cirque Royal. Most of the time, each musician stands on his "spot" and starts playing a song. With Imagine Dragons, it's a bit different… As for example, you have Ben McKee, bassist at heart, holding a drum stick and banging a drum bass; you have Dan Reynolds, the singer, banging on his drummer's cymbals before grabbing his microphone; Dan Platzman, the drummer, isn't seated behind his drum set but standing in front of it and banging other drums. And so on, and so on… The five guys on stage are gathering around the drum set, like they were one full entity. Looking back on this scene hours later, it actually sums up well what the rest of the night will be. And this was just the intro… and you already know you're in for another night full of positive energy… 

They start playing "Round And Round", a song that isn't included on "Night Visions" but that can be found on the "Continued Silence" EP. Wayne Sermon, the guitarist, holds a fantastic six-string type of guitar that I've NEVER EVER seen before: a shining silver guitar that looks like Mark Knopfler's famous "Resonator", only with a different shape. A nice source will let me later know that it is a Bilt, a kind of hand-made guitars made in Des Moines, Iowa. Dan Reynolds seems in a good mood and moves from left to right with his usual energy.
The music slows down a bit, he is in the middle of the stage, holding his microphone stand… until Daniel Platzman breaks the (near) silence with a drum bang. Reynolds accompanies him by banging his own drum, the now well-known drum bass. I notice it is a smaller one than they used on their first Belgian show… Dan put so much energy on banging it that it'd have collapsed on the floor if he hadn't catch it before. At the end of the song, a technician ran on stage to stabilize it… 

It only took a song to make the crowd go wild… as soon as the last notes of "Round and Round" echoed in the venue, the whole place was one and single shouting entity. Dan Reynolds starts talking and… well, let's say that "shouting" turned into "screaming". Call that passion… 

On "Amsterdam", the audience helps the guys by ending some choruses for them… I can't help but notice Ben's bright smile at that moment… A few seconds before starting the chorus, Dan Platzman raises both his drumsticks up in the air and hits them on one another, as a signal… At the end of the song, Dan Reynolds introduces the band as "We're Imagine Dragons from Las Vegas", causing another round of shout from the people in front of him. Although I'm pretty sure that there may have been people not knowing who they were and where they were from in November 2012, I don't think this was the case anymore tonight… 

Wayne Sermon starts playing a short and nice intro, supported by both Dan's… Platzman stands up, smashing his drumstick on one another; Ben claps… the crowd follows the musicians until the very first notes of Tip-Toe comes out. Right after finishing his part on the front stage drum, Dan Reynolds throws the drumsticks up in the air… bringing back the tech on stage. Trust me, this (these?) little elves have been busy aaaaalll night! This song is an obvious proof that the audience had learned everything about the boys over the last few months: generally, people know the lyrics of the songs released as singles and played on radios… Tip-Toe is not a single and yet… the crowd knew all the lines of the songs and sang them out loud. In fact, the crowd will be very supportive all night and that's always an amazing to witness, whether you're on stage or… in that same crowd. Dan Reynolds asks for help on singing the "Nobody else will take me higher"? He just has to ask and everyone is giving him what he asked for. Thrilling! 

"Hear Me" is a song that seems more and more amazing every time I hear it live: Reynolds' voice variations on that one are worth the try and even though it may look easy, trust me, this one is a challenge! Wayne Sermon's guitar riffs are always nice to hear: he never overplays or turns them into lengthy exhibitions of sound like some others do but he turns them into a melody that you can't miss. If you take them away, the song'd be totally different… That's also one of the strength of Imagine Dragons' music: take ONE member away and… that's a whole different world. As for me, this band is a full and complete family made of five members: this may be due to the fact that all three times I've seen them, they have always shown a great complicity on stage. Many times during a show, there's always one member interacting with another one, there's also always a moment (or a few ones) where they gather together near Platzman's drums and jam as a… band. As for example, during "Hear Me", Ben McKee and Dan Reynolds went near Platzman while playing and singing, Ryan Walker joined them by hitting cymbals (before putting it back at the right place… Undisciplined cymbals eh?) before going back to his keyboard… Near the end of the song, Wayne and Ben are on the center of the stage, face to face and moving forward and backward on the song's rhythm. Com-pli-ci-ty! And I love that!

 

Wayne starts a new intro with a golden version of the Bilt guitar (as beautiful as the other one!), Dan Reynolds moves forward to grab the microphone… While he explains to us what was life five years ago and how he'd have never believed us if we had told him they'd be here today, Ben leaves the right side of the stage to stand next to Wayne… Dan explains how it means so much to them to be in such a beautiful venue and when he says a word about seeing all those faces, the lights shines a little more so the band can actually see the crowd much better… to the very top of the Cirque Royal, that Reynolds salutes with a hand sign. He then thank us for being so supportive and explains how he wish he could put into words how much it means to them but that instead prefers to put it into music because that's the only way they've got to do so. That's where I disagree with him… The tall singer doesn't seem to be aware that he's got a very special way to communicate with the audience, that he knows what words to use to speak to us, that he speaks the language of blank honesty and tenderness. You look at him, you hear him, you believe him. As simple as that. And because of that, he is damn loved by the people who are coming at Imagine Dragons' shows (especially girls, as you can imagine…). He seems perpetually amazed by the love fans are sending them, like a child opening his Christmas presents… Thinking back on the first time we met and his reaction towards me when I told him how great his voice was that night, I can assure you he's one of the nicest (and most surprising) personality in the music business… 

Another intro… Change of sides… This time, it's Wayne's turn to come to Ben's side and jam with him. For a second, I think that Ben is playing the intro because the notes are quite low but I realize the sound is coming out of Wayne's shining guitar. I can't figure what song they're about to play… Both Dan's are singing a "We fall, we fall apart" (Yes, ladies and gentlemen, Imagine Dragons has a drummer who drums AND sings… and the best is yet to come…). The song speeds up a little bit… all members go back to their usual spot, joining the two others vocalists… Reynolds grabs his drum sticks, Platzman rises up from behind his drum set and both guys starts to knock sticks on one another while Ryan claps. He lowers them down to put them on his keyboard while Wayne grabs a tambourine and suddenly… it's party time with "Rocks"! The tambourine game… never heard of it? Well... at one point in the song, Wayne throws it up in the air, behind him, and… that's a catch! Ryan Walker, standing on the other side of the stage grabs the tambourine and puts it aside, under the crowd's cheer. 

A few weeks ago, I asked to a trustworthy source if we would get a few surprises or new songs on our show. He answered me back then that the band definitely had things in store for us… I took a look at setlists and saw attractive ideas: "Song 2" from Blur, "Wonderwall" from Oasis… My crazy Noel Gallagher addiction had made me beg for Wonderwall but… no. But it certainly doesn’t mean that I was disappointed. Because… 

The very first banging sounds coming out of Daniel's drums gave me the hint, one guitar riff from Wayne confirmed it… People on my sides heard me yelling "Yes! Yes!"… They were playing… U2's "With Or Without You", one of the most beautiful song ever written in music history… Emotional moment… At first, it seemed to me that they didn't play it exactly how U2 but I liked their version… I liked that, I felt all that. The emotion went through my body like an electric shock and got out through my eyes. Wow… 

The crowd can also be a surprising guest at live shows… It was the case with the next song. It only takes one "It's Time" from Dan to have the whole crowd singing the rest of the chorus… bringing a smile on each member's face. Reynolds ends up turning the microphone, making the audience a full member of the band. Reynolds raises his right hand and gives us the V of victory… It is indeed a victory tonight. One year ago, the audience was already singing that one out loud but as larger the crowd goes, as gladder I am to witness their ever-growing fame. And I think it's only a fair reward for the hard work of these last 12 months. "Packing my bags… I don't ever wanna let you down, I don't ever wanna leave this town…". They were hardly home this year, traveling through the world to spread their music to everyone… "This road never looked so lonely but this house doesn't burn slowly…" For a split second I wonder how lonely this life can be, despite having fans showing so much love night after night… I didn't know that I'd get the answer that night…
"It's Time" was already existing back in 2011, when the band had the Tolman siblings in it, even before Daniel Platzman joined them… before the song finally found its way to radio waves. And yet, despite the airplays, the screaming crowd, it seems to me that "I'm just the same as I was… I'm never changing who I am" was no random lyrics but a true Dragons state of mind. One example? They came three times in Belgium… and all three times, they went out of the venue after the show to have a word with fans, to get pictures taken… They haven't changed.

 

I am in the perfect mood for what's coming next… Ryan and Ben leave the stage… Wayne Sermon has now an acoustic guitar in his hands, Dan Platzman turns around, grabs something near his drum set and stands on the right side of the stage with his violin. A VIOLIN???!! . Didn't I write up above that the best was yet to come? This was indeed another surprise as he had NEVER played violin during the two previous Belgian shows. To be honest with you, at that time, I had completely forgotten that he was a violinist! I know, I know… shame on me!
Dan Reynolds explains to us that the next song, "30 Lives", is dedicated to one of their friends, a 17 year-old kid named Tyler Robinson who lost his 4 year cancer battle and passed away this year. Dan adds that they want to share this story with many people as they can, making them realize that "we have our lives, we have our health, we have our bodies, we have our strength and that's far more than what some people have…" I know who Tyler was. Just like every person who has seen the "Demons" video. Very nice and moving moment… 

Ryan and Ben come back on stage… The always-smiling bassist starts a great solo. Bass sounds (as well as drum sounds) can sometimes be aggressive on the human body: if not well balanced, the sound can resonate inside it. It happened to me a few times (including at The Cirque Royal… Still haven't forgotten the Kasabian experience I've had there!) and trust me, these weren't the happiest moments of my life!! At this very moment, I was thinking I'd give a 6 out of 5 to their sound engineer: I looked at the soundcheck table and recognized Mr Eisenberg, who was already in charge of their previous show in Belgium. I had already praised his talent in my last article and have to thank him again as his magic fingers allowed me to… spend the entire show without my ear plugs. Imagine Dragons guys… never let Scott go, please! 

Under green lights, the band starts playing "Demons". For personal reasons, I've always had difficulties to listen to this one as it has this ability to awake some not-so-happy memories. And yet, once played live, it may turn into some kind of therapy. I've always believed music was the best therapy for all troubles, pains, worries and bad times… It's better than any shrink therapy or pills. "Demons" has this therapy side. I'm quite sure it was its purpose when the band wrote it…
Seeing the crowd singing the "This is my kingdom come"… well, that's magic all the way! Mr Sermon gives us another fine guitar riff, Dan Reynolds waves at people in the crowd and – of course – people go crazy at every sign he makes… I think that at this point, the crowd is not warm… it's literally boiling! 

Wayne takes his silver guitar again and shares a moment with Ben on "Underdog"… It seems these two are really getting along just fine! My eyes see a movement on the sides of the stage and I smile… Bring the balloons! A dozen balloons are spread into the room and the crowd make them go from left to right, from the back to the front. A moment like that reminds me how it's always so much better to be in the pit rather than choosing a balcony seat… You "feel" things very differently… Reynolds grabs one of them and tries to make to make it explode with a drum stick. Missed! Come on Dan, don't let it beat you! A second try and the balloon is gone, releasing the little papers contained inside it… Aaaaaaaand here comes our fav' tech back on stage, grabbing what's left of the balloon and rushing back in the shadows of the stage's wings. 

Daniel on the main drums, both Wayne and Ben are hitting drums on their respective side of the stage, Dan grabs another stick and starts hitting the drum bass… Ryan has a guitar in hands but as it's not required at that moment, he also grabs a stick and hits cymbals… That's where you realize that percussions are an important part of their music: no sounds of guitar, bass or keyboard. ALL PER-CU-SSIONS.
There's also one noticeable thing about Imagine Dragons: none of them are ever standing still. If Wayne is not playing guitar, he grabs a stick and hits a drum; if Ryan isn't playing guitar, he's playing keyboards; if Ben is not playing bass, he's on keyboards; if Dan is not hitting the drums, he's clapping and so on… Doing music seems like a vital thing for these guys once they're on a stage. As far as I can remember and looking back on all shows I've attended in the past two years, Imagine Dragons is the only band displaying all multi-instrumentalists. That keeps so much energy in the show!

If "Demons" puts me on the low-side of my mood, "On Top of the World" has the ability of making me smile aaaaaall the time. That song is the ultimate cure for unhappiness… First time I heard it, I started dancing and instantly fell in love with it. When they play it, I can be nothing but happy. Seems like I'm not the only one thinking that way: the pit crowd rise hands and move them from left to right. I  look above, in the balconies, for the first time of the night : people are standing up and dancing. Yep… this song works just fine. The audience inadvertently turns it into a different version when, right after the first chorus, they sing the "Oh oh oh oh oh" that should have showed up after the SECOND chorus. You know what… it worked out JUST fine! During the second verse, Ben was near Dan and Ryan but had to literally run on the stage to reach the microphone and sing the chorus with his fellow musicians…
When time comes for the audience to sing the "Oh oh oh oh", Dan walks through the stage, pointing his microphone to us; Ben claps; Wayne is near Ryan who is clapping as well and Dan uses his feet on the drums and his hands to… take some pictures or recording the scene. And then… back to party time again! Jeez that song is a blast! I notice a little difference with the original song: it's in fact Ryan who is playing on his keyboard, giving the song a slightly new "sound".
Many times over the last 12 months, I told myself they'd be fools if they didn't pick it as a single. Seems like they heard my prayers: a new video was posted two weeks ago and was once again a sweet reminder of their sense of humor. In "Radioactive", we had the boys trapped underground while cuddly toys were fighting in an arena. They were rescued by a girl and her pink teddy bear with super powers! In this case? Well, I'll let you find out…

 

Nice eh? I liked all the allusions (especially the ones related to The Beatles) and funny scenes! What will they do next to make people smile? However… When I first watched the video, it seemed to me that something was missing. Someone. Most of the time, if you're lucky and patient, you may be able to meet the boys after the show. Including Ryan Walker. He has proven himself an efficient and trustworthy member of the band that many fans now consider him as the fifth member of Imagine Dragons. Including me. Therefore and quite naturally, I was expecting to see Ryan in the "On Top of the World" video… which didn't happen. Weird moment. I know Jason White had been a Green Day touring member for 13 years before finally accepting to join the band as an official member but… well, let's just say – dear Ben, Wayne and both Daniel's – that 13 months are far enough for fans to like Ryan and consider him a full Dragon. Just saying… 
 
Red lights all over the stage, Sermon plays with his six cords while Dan approaches the microphone to talk to us. He once again thanks everyone for the continued support. He then explains that the previous night was Thanksgiving in the US, that they've been away from friends and families for a long time and how it can be lonely at times… As Dan explains that a restaurant in Brussels welcome them and cooked them a Thanksgiving dinner the previous night, I see Ben pointing at someone in the crowd: the chef of the restaurant is right there with us! Dan thanks him again (and us) for welcoming them and making them feel at home. 
 
Time for the last song… "Radioactive". That high-energy song makes me suddenly realizes one thing. A few weeks ago, I went to see Thirty Seconds to Mars and this band has its their own fanbase named "The Echelon". Well actually… it is now a sure thing: the "Baby Dragons", as I like to call them (because they're all younger than me), may not have realized it yet but… they have their own army. A (peaceful and loving) army raising hands, starting the song too early – turning it (again!) into something great - and singing to e-ve-ry word of their songs.
They pause, Ryan plays keyboards, Platzman leaves the back of the stage to join his friends on the front stage, grabs a stick, approaches the drum bass and starts hitting it, accompanied by Ben and Wayne, while Dan strides along the stage. Then… they exchange places and keep hitting drums. Another change allows Daniel to go back to his drums… The music fastens, another drums blast and… all lights are turned off! The audience claps and screams… The boys go for another round of chorus: it's pure madness out there! Damn… these boys have turned evil radioactivity into a massive positive element! 
 
Will they come back for another song? Ermmmm… I think our sweet little "running man" bringing the microphone back on the front stage kinda gives us a hint about that. In the process, he manages to receive a crowd cheer. Not sure the audience did that especially for him but these little tech Elves deserve a massive thank you for all they've done that night…  
 
The boys come back on stage and stand on their usual spot. Right in the middle of the stage, Dan Reynolds waves at everyone, looking around him with a bright smile on his face… He starts singing "Nothing Left To Say", almost acapella, in a slower version than the one we know… This one is a fine way to see how good Dan Reynolds' voice is… He displays as much emotion as power depending of the moment of the song. Ryan starts playing keyboards, bringing the song back to its original tempo… Dan sings while the other boys supply background vocals… On the bridge, Dan gets closer to the front stage drum and starts hitting it. At that moment, I notice Ryan is no longer playing keyboards but guitar… that he stops playing to hit cymbals or clap. 
 
One final blast of sound… Ben, Dan and Wayne are standing right in front of us while Dan and Ryan finish the song, respectively on violin and acoustic guitar. The three front stage boys join their fellow musicians on vocal harmonies while the audience claps, louder and louder… Daniel lowers the violin and goes back to his drum set  while the other Dan grabs the front stage drum to install it on the drummer's pedestal. The singer comes back on the front stage, raises the drum sticks then turns around and jumps on the pedestal and starts banging the drums while Ben and Wayne surround him. All guys are rocking the house with a jam… and then… that's it!
 
They leave the stage and they leave me speechless.
 
Again.
 
I've attended to three shows of the Las-Vegas band over the last 13 months. The set list didn't evolve much… not that it is their fault: not so easy to diversify the set list with "just" one full album on your credits and not so easy to record new songs when you're (almost) constantly on the road…
 
And yet… Imagine Dragons shows are never the same:  they work on song arrangements and end up with different intros, little variations… And yet, these are still the songs that make you "feel" so much. Speaking of that, the show may never be the same but… my feelings are though. First time… I came out of the venue happy. Second and third times, I was as happy. I had fun at all shows but to say the truth, I was also glad to see the crowd getting bigger months after months and responding so well to their music… The boys may also not be aware of this but they have the secret power of creating new friendships: I won at least one new friend at every ID show (two Giulia's at the Botanique, Gaétan at Ancienne Belgique and Kimberley and Manon at Cirque Royal). 
 
Emotions, fun, happiness and new friends… who would ever get tired of that, eh?? Not me. That's the power of music… That's why it'll always be by my side, not matter what happens. It'll always help… keeping the demons away.
 
 


ID Facebook page: http://www.facebook.com/ImagineDragons?fref=ts
ID Twitter: http://twitter.com/Imaginedragons
The Tyler Robinson Foundation website: http://tylerrobinsonfoundation.com/

Want more Imagine Dragons on this blog?
- Continued Silence EP review : http://bit.ly/IIBPBu
- Live show at the Botanique (7th November '12) : http://bit.ly/18anrxE
- Live show at Ancienne Belgique Box (2nd May '13) : http://bit.ly/1cbNaBI

Setlist :
-         Intro
-         Round & Round
-         Amsterdam
-         Tip Toe
-         Hear Me
-         Cha-Ching (Till We Grow Older)
-         Rocks
-         With Or Without You (U2 cover)
-         It's Time
-         30 Lives
-         Demons
-         Underdog
-         On Top Of The World
-         Radioactive
Encore
-         Nothing Left To Say