dimanche 11 novembre 2012

Imagine Dragons – Botanique (07/11/2012) ENGLISH


Remember that Imagine Dragons review I posted six months ago about the magic of Youtube random videos and Imagine Dragons being one of the most refreshing musical discoveries I’ve had in a long time?
Well… to make a long story short, let’s say that as soon as I found out they were touring Europe and performing one night in my country, I rushed to Le Botanique website to buy a pair of tickets. Without even watching the date. Without even checking if I hadn’t any other plans on that day. The things you’d do for the love of music, eh? Don’t we say that (musical?) “love is blind”? 

Leaving the office, running to the station to catch the first train heading to the capital, finding my concert-partner-in-crime and we go straight to the Botanique. Buy a pair of tickets for Jake Bugg’s show in March 2013, just to see if he’ll be as great on his own as he was as Noel Gallagher’s High Flying Birds’ opening act and… I’m starving, let’s go eat! Just in case you didn’t know, Le Botanique has its own little restaurant with delicious Italian plates: that’s where Audrey and I are eating while exchanging the latest gossip in our respective lives before other friends join us.
While listening to my friend, my eye caught a blonde guy walking in the hallway which I immediately identified thanks to his tall height. The fact that he was followed by a shorter guy with long brown curled hair was definitely another clue that the guys from Imagine Dragons were already in the place. They came to eat, totally unaware that the whole table on the other side of the restaurant were actually people who’d be in front them an hour later… 

We leave our table to go into La Rotonde. Le Botanique has got more than one stage but I never had a chance to see a show in La Rotonde. Once I’m in, I’m like “waw!”. The venue is a small rounded place with a maximum capacity of 250. It feels like you could touch the stage from any place you stand. The light technician is a true magician: for a moment, you may actually think you’re watching stars in the sky… Waw (again!). And the show hadn’t even started… Truth is that this light technician deserves a five-stars because I did notice his work during the show as well. Beautiful lighting!

♫♪ Stars in the venue ♫♪ (and not only on stage)

 
 The opening act is a Belgian band named Vegas. A band I do know about as I’ve written both an album and a live show reviews (in French though, sorry…). I saw them live a year ago and their booking agent had told me they had massively improved since our first meeting so I was curious to see them again.
And… she wasn’t wrong at all. The guys from Vegas have actually improved since last year. It seems to me some of the songs have been slightly improved as the guys added a few additional but discreet notes that gave these songs a different dimension while still being very recognizable. There’s a small difference though as the band found themselves a new bassist: he seems very comfortable on stage and the guys gave all their best this night… Al’s voice is still as strong as it has always been, Seb’s way of dealing with guitar strings is still awesome and David’s drumming skills are still an effective part of the band’s sound. Only better than a year ago.
I had a funny moment on my own though when I realized that the opening act’s name is Vegas and that the main act comes from Las… Vegas. Maybe it was a sign after all…



 
Once the Vegas set is over and all their instruments gone from the stage, it’s time for the Imagine Dragons’ crew to place the boys’ gear. Wait a minute! Is it… ? Oh my, yes it it! I’m so used to see mains acts having a crew setting things up for them that I (very stupidly!) never imagined that the Imagine Dragons crew could be… the boys themselves. So here we have Wayne Sermon, Ben McKee and Dan Platzman walking on stage to set guitar, bass and drums respectively. They’ll also take their gear out of the stage once the show is over except it’d only take them a longer time with people now recognizing them and seeking for a word, an autograph…

So… let’s set things up. The few times I mentioned them around me, I just got the answer “Never heard of them...”. Which is always a frustrating moment where you feel like some Robinson Crusoe on his deserted musical island. In Belgium, the boys got some radio airplay but not so much... yet. Maybe tonight may change things and help people know more about them. 

Orrrr… maybe not? In fact, it takes only a few seconds to realize that most of the place is filled with people who already know Imagine Dragons… It didn’t take much time too to get the audience clapping their hands and singing along to “Rocks”. 

Wayne Sermon plays with his guitar chords, Ben McKee set his bass in tune while singer Dan Reynolds stands in front of the keyboards… What’s coming up next? The distinctive keyboards melody opening helps me identifying “Amsterdam” quite easily… This one is one of my favourites of the “Night Visions” album thanks to its great musical vibe: truth is the song is as great played live than heard on my MP3 player. To be honest and sum things up straight away, that’s a fact for all songs of the set list. I’ve listened to “Night Visions” and the “Continued Silence” EP God knows how many times but Imagine Dragons’ live performance is even better. Especially when you’ve got good musicians and a competent singer on stage. Add the responding crowd that was there that night and you have an amazing moment! At a certain time, I smiled thinking back of Slash’s show of last month and his “Slash army”… I was smiling because if the tonight’s venue was smaller, if tonight’s audience was smaller, the “love” sent back to the guys on stage wasn’t definitely smaller! And that’s always a fine moment to witness…

It looks like Dan Reynolds was thinking the same as he told us about the beauty of the place and the energy of the people before letting Wayne play us a nice guitar introduction… Reynolds grabs two drumsticks and spreads his arms wide open before giving us the distinctive “Ooooh” opening of “Radioactive”. On this one, it’s almost impossible not to notice how much of a percussion band Imagine Dragons is: Dan Platzman plays his drums, Reynolds hits the massive drum bass while Sermon does the same on a smaller drum bass. The crowd is happy to help on the shouting “radioactive” word of the song while the four other guys act as background vocalists. No need to get background vocalists when you can both play your instrument and sing, right? “Four” background vocalists? Yep people… Imagine Dragons is a four-piece band but when it comes to touring, they transform into a five-piece with the help of Ryan Walker. He may hide in half-shadow, almost in the background of the stage; I spotted the guy, alternating keyboards and guitar playing.
Near the end of the song, the band starts to jam… Reynolds picks up the drum sticks on the floor, hits his drummer’s cymbals before heading to the small drum bass and hitting it with energy. Talking about “energy” is a way too small word to describe the singer : all through the show, I’ve seen him running the stage from left to right, from right to left, hitting both drums bass, playing keyboards, jumping… Some may find it exhausting to watch, I say I was impressed by such… well… let’s say… “radioactive energy”? ;)
 

 
Another haunting guitar introduction by Mister Semon before the band starts playing “Tiptoe”, another song with great energy to which the crowd gladly responds.
 
Dan Reynolds takes a moment to tell us he never thought he’d be singing these songs in Belgium and how beautiful the crowd is. He also let us understand that there are more people than he probably expected and thanks us for being there tonight. On the right side of the stage, Ben McKee smiles and nods, silently confirming the singer’s words. The singer grabs the microphone stand, turns around and gives Dan the drummer a head sign. The signal to start… “Demons”. I wrote in my April review how touched I was by this song’s lyrics: some songs never really go away, you know. This one is part of those songs that sticks to you like the most aggressive glue… Is it bad? Don’t think so… I was smiling all through the song. THAT can’t be bad…

Imagine Dragons singer then mentions how much of a family this band has become but also cares to mention that tonight, the whole room is filled with many members family. He tells us to forget about work and the worst times of the day to enjoy our time here and… dance. Damn right! “On Top Of The World” is the perfect song to forget about your worries and… I just can’t picture much people standing still to that melody. Well in fact… nobody stood still, mostly during the chorus and the front stage crowd in particular delivered a nice “dance moment”!

During “Cha-Ching”, one of the songs you can’t find either on any of their EPs or “Night Visions”, the singer shows us that high-pitched notes are no big deal to him… It also seems as Drummer Dan don’t mind having people around his drum kit as Wayne enjoys a “hitting-the-cymbals” moment with him. 

Of all instruments, drums remains my favourite (shortly followed by electric guitar and… violin)… Trouble is that tonight, I have a massive drum bass in front of me and is therefore unable to fully enjoy the vision of Mister Platzman hitting his drums. Guess I’ll have to enjoy it only through my ears then… and “Hear Me” is the perfect occasion. Oh well... don’t get me wrong, I have noticed and heard the guitar melody and great solo by Wayne, Ben’s bass notes and… yes, Dan, I heard you asking us.. erm… “Can you hear me?”. I definitely heard all of them on this one and I’m not so much surprised that “Hear Me” is apparently the band’s next single as  the track has got huuuge potential.
 


Damn drum bass!! :p
 
Before starting the next song, Dan explains they spent the afternoon visiting Brussels and mentions he didn’t know much about Belgium except for… wafels and fries. He then says “Frites?” with a questioning tone. The crowd claps and shout, showing him his French translation of fries was per-fect.
 
All members leave the stage, with the exception of Dan and Wayne who perform another song totally unknown to me, “Lay Me Down”… I’ve mentioned earlier Reynolds’ incredible positive energy but the tall blonde guy can also put himself at rest to deliver emotional musical moments. “Lay Me Down” is proof that it sometimes doesn’t take much to create a magical moment. A guitar and a voice seemed to be enough in this case…
My friend tapped on my shoulder and asked me “Is he gonna try to make us cry?” to which I answered “I think he’ll try”. Did it work? Everyone was watching what was going on the stage so nobody noticed my eyes, probably better that way, I guess…

What it takes to make an emotional beautiful song...

 
As the guys return from backstage, Dan explains how much it has been rewarding to come in Europe and how much of “Living The Dream” this experience is. He also explains the band started to play small venues and that they now miss that when they play in USA. He likes the fact that he can see all the faces in the crowd and that it makes him feel like not too far away from home before thanking us once again. Mr Reynolds seems to genuinely care about the fans and never let an opportunity go by when it came to grab hands, kiss heads… of the front stage people. 

“Round And Round” is one of the songs that didn’t make it from the EP to the “Night Visions” album. Considering I compared that one to a Coldplay sound-like song on my review, I guess it’s not a big loss. “Tiptoe” is for instance a song that fits better to the unique sound of Imagine Dragons and will give journalists less opportunities to compare Imagine Dragons to other bands or artists. I must admit though that the live performance of the song was still enjoyable to watch…

So… jumping around everywhere on a stage with a bottle of water is NOT recommended. Why? Because that’s how you may end up sitting on that same stage, making people laugh because you slipped on a wet floor. Not something enjoyable, right? Seems like Dan Reynolds’ shoes don’t keep him on safe ground and he asks us if we would mind having him shoe-less to avoid some accident. Wayne found a better solution and starts cleaning the floor with a towel while Dan introduces him as his best friend. Considering his best friend shouldn’t do this, he kneels and starts cleaning the mess himself… leading the audience to a great moment of laughter.
With Dan now up on his feet again and floor all cleaned-up, the boys can swap cleaning duties for a more enjoyable thing: music!

On “Night Visions”, the opening of “Underdog” immediately made me think of some Caribbean-ish music. The melody evolves into something a bit different but keeps a very laid-back style. “Underdog” is a nice song to be played live as the audience seems to instinctively know when to shout out the “hey” of the song. To be honest, it’s really hard not to sway on that one… 

The singer explains that after the show is over, they’ll take the road, all stinky and wet and ask the crowd if it wants to come with them. Can’t recall hearing a “no” coming from that crowd…
While Dan Reynolds puts his shoes back on, Dan Platzman hits the drums, Ben and Ryan starts clapping, soon being joined by the singer. At this point, people in the crowd had already showed they had recognized “It’s Time” by screaming out loud… This song, the most well-known song of the band, whose video has been nominated for a MTV Video music award, is a powerful song. The audience sing along all the way and Dan let the fans sing most of the chorus themselves, leading to one of these wonderful moments you can only experience by going to see artists on stage. Those moments might be great for the ones standing on the stage but trust me, they’re great moments for those who witness them as well. And man! That song is sooooo great I can’t help myself smiling every time I listen to it…
 


 
The band leaves the stage but… it takes them less than a minute to come back. Dan picks up the microphone to tell us that most of the time, they really take time to think about encores but that tonight, they all agreed that they had to come back on stage pretty quickly. He adds that he’d definitely remember that night and that he can’t wait to come back in Belgium. While the boys starts playing the final song, a person in the front row gives something to the singer that he shows us all before kissing it and carefully putting it near the drums. I’ll later found out that it was a lighter with “I ♥ Belgium” printed on it.

The Encore song is “Nothing Left To Say”, a song with powerful background vocals to support Dan’s strong voice. In the middle of the song, Ben claps his hands and the crowd quickly follows him…The song rhythm slows down: Ryan plays acoustic guitar and Dan gives us a few drums beats while the boys sing vocal harmonies with support of the audience’s clapping. Suddenly, Dan leaves the middle of the stage to grab the small drum bass and moves it in front of Dan Platzman. Ryan moves closer to the drums as well… The song’s rhythm quickens while Reynolds heads for the drum sticks. All of a sudden, he starts hitting the drum bass. Wayne and Ben shows us what they’ve got as well… At this time, they know, we know, everyone in this room knows the end is near but these five guys on stage certainly don’t intend to end up their set quietly. They want YOU to remember them and they want YOU to keep in mind the very last moments of this show. Guys who gave so much that night, guys who are there not as a team, not as as band but… a family sticking to each other until the very last second of their last song.
 


 
 “There’s nothing left to say now. Give it up.”, they say? I say I’m not sure people in the room are ready to give up on you guys…
And as for the “there’s nothing left to say”, I wouldn’t say that either ‘cos I still have a few things to say about the Las Vegas band. 

Someone asked me one day “what kind of music do they play” and… I couldn’t answer very precisely. Partly because I definitely wanted to say “some kind you should try to listen to” (which is the common catch phrase for some artist I like), partly because I REALLY can’t precisely define their musical style. I’d be tempted to put a pop/rock label on them depending on the song but somehow, the electronic sound they sometimes put in their songs makes it even more difficult to describe their sound. At the end of the day, who cares about the description of their sound? With the exception of “Round And Round”, I can’t compare them to any other bands. 

I listened to their EPs and album very carefully and was a bit worried some songs wouldn’t sound as well once played on a stage. Like I wrote earlier, I couldn’t have been more wrong. That night, I felt the magic expressed in EPs and album. For real. So much better. Imagine Dragons have a few stage hours behind them and that’s something you quickly sense: all members are very comfortable on stage and know exactly what they have to do. For our pleasure. And probably their own as these guys quite never imagined doing anything else than music. Three of them being former students of the famous Berklee College of Music is another clue of that musical passion. 

Most of the time, you only get what you see and most people only have live performances and/or interviews to appreciate their favourite band or artist. If you’re lucky, you might end up meeting them and have a glimpse of their attitude towards fans. What most people don’t know is that the Botanique has this particular aspect of being a venue… without back doors. Therefore, the artist of the day necessarily has to pass the front door to leave the place. Guess what happened? Yep… the guys came out of stage and… ended up in the hall where most fans were buying souvenir shirts. No need to say that they didn’t leave immediately…

When I’m “musically in love” and write about it, I like the artist to know about it because I assume it can’t hurt to know some people care about your music. Most of the time, I post a link to my article through some facebook page or send it by email. In this case, I had the opportunity to give the article in person to the band. I may have studied communications, that’s a different world from public relations or advertising so I still have massive issues when it comes to “promote myself”: best proof being most of my friends and colleagues have no idea I have a musical blog. So I literally had to kick myself on the a** to give the article to one of the guys… which happened to be Dan Platzman. I told him how I found out about them; he was surprised when he found out about the article and warmly thanked me when I gave him a copy of it. No problem. I just hope they’ll like the words, they were written with the heart. As always when it comes to music.
 


 
I was far to know that my lost scarf would bring most stories to the Imagine Dragons adventure. To make it short, we had to go back to the place to retrieve that damn scarf of mine and… ended up in front of the band and their small crew trying to put all their instruments in the mini-van (very impressive storage by the way). All members in front of me = unique moment and if I let it go, I’m the most stupid woman on Earth!
I – still shyly – ask them if they’d accept to take a picture with me and they nicely agree… So here we are standing on Le Botanique stairs for a photo souvenir. During our short talk all together, I tell Dan how awesome his voice was tonight and the tall guy gave me the most unexpected answer I’ve ever had coming from a musician. No. Coming from someone I only met two minutes before. Somehow, his behavior is probably at the image of this band. They may have had their “It’s Time” song recently covered in the Glee series, they may have “On Top Of World” used as the opening theme of CBS’s new sitcom “Partners” and they may have broken the 2006 record for the highest charting for a debut rock album on the Billboard 200 chart but… they remain humble, down-to-Earth guys that took time to have a chat, to give autographs and have pictures taken with people who came to see them that night… 

“I get a little bit bigger but then I’ll admit, I’m just the same as I was. Now don’t you understand I’m never changing who I am”. Maybe in the end, that’s what I have always liked about “It’s Time”… 

Guys… if you read this, stay as you are! I’m one of those who firmly believe the attitude of an artist is as important as the music. From what I’ve witnessed from afar that night, from what I’ve read on the Internet after the show, from comments I’ve received, you have given many people great happiness in Belgium… and some of them even took a plane from Italy to receive a little bit of that “love” from you. 

The worst thing I wish you is the whole world knowing about your music and for you to make it SO big around the globe. So… maybe someday, you’ll come back to play in a bigger venue in Belgium and maybe we will never be able to chat or have our pic taken together because it’ll be too much crowded. But I’ll always remember the dancing on “On Top Of The World”, I’ll always remember the emotion on “Lay Me Down”, I’ll always remember the energy of the live version of “It’s Time”. Yep, trust me… I’ll always remember these nice guys and how good their music makes me feel.

Wayne Sermon, Ben McKee, Dan Platzman, the one NOT in the band, Dan Reynolds...
Where on Earth was Ryan Walker, eh?

 
Setlist :
-         Rocks
-         Amsterdam
-         Radioactive
-         Tiptoe
-         Demons
-         On Top Of the World
-         Cha-Ching (Til We Grow Older)
-         Hear Me
-         Lay Me Down
-         Round and round
-         Underdog
-         It’s Time
Encore
-         Nothing Left To Say

 
 

lundi 5 novembre 2012

Robbie Williams - Take The Crown (2012) ENGLISH


I’m no old crock but had seen many boysbands raise (and fall) since the day I was born. Some people consider The Beatles, The Jackson 5 or The Rolling Stones as boysbands. Opinions differ on that subject and I’ll keep my opinion for myself today…
The first boysband of my generation remains the New Kids On The Block and I still remember the effect of the five Bostonians on girls. I’d be lying to you if I’d tell you I was booing them. To tell you the truth, this band is linked to one of the biggest moments of frustration in my life… Picture the scene: you’re barely 14, all the girls of your class have their tickets, it’s eveywhere in the news, they’re even on the television and you… you’re yelling into a cushion because your parents won’t let you go in a place where “there are LOT of people”. Let me tell you that after that day, I made them pay that obstruction towards my passion of music… most of the time without them knowing about it, by the way.
 
This just to let you know that they eventually allowed me to go to a place with “lot of people” that was also the day I met Robbie Williams, back in 1995. And that was quite a meeting! Back then, he was still part of Take That. Not for a long time, though. Expression of an already present uneasiness or simple demonstration of the show man he was and still is, he was the only one with an onstage presence… Hard to miss a guy standing up on amps, close to fall in the crowd when the other four quietly stand on the stage.
And then, Robbie Williams calls it quit… And has the career we all know about. One of the biggest putschs in the boybands world. Only Justin Timberlake will reproduce that a few years later.
 
I’ve always watched closely the lad’s career and his collaboration with Guy Chambers remains of the best tandem in the British singer’s musical career. The professional breakup between these two has had an effect on the course of events in his career… as well as on my enthusiasm for his songs. To this day, I still give a mean look to the “Intensive Care” and “Rudebox” CDs standing in my music library… Then, comeback of the big guy from Stoke-On-Trent with “Reality Killed The Video Star”. A winning comeback thanks to the wise choice of Trevor Horn as a producer. From the very first listening, it was pretty obvious that the Robbie I’ve always liked was still very much alive. Damn, it was about time!
 

 

This week, release of his new album. Slight apprehension considering the previous experiences. Did he make a trip in another musical style? Cautious discovery by watching the video of “Take The Crown”’s first single, “Candy”.
The melody is great, easy to remember and sticks for hours in the back of your mind. Plus the story of that girl who sees herself so wonderful is fun. The young woman, played by Skins’ Kaya Scodelario, surely gives Robbie a hard time in this video. That song smells like summer… turning my head and noticing the rainy weather of All Saint’s holiday, I can’t help but think that song can’t be a bad thing…
 
Little basic information concerning this review: I only have a few video available as it’s a very recent album release and the ones you’ll find in this review don’t necessarily represent the plain musical range I’d have liked to show you... 

 

Robbie Williams’ new opus starts with “Be A Boy”. If I feared the first electro sound seconds were taking me back into the Intensive Care/Rudebox time, this was only a short impression. That song is great. Especially its lyrics… A thought over his 20 years-ish career, over hard times, over the fact that he didn’t quite grow old like the rest of us. Also a potential thought concerning those people unable to stop seeing him as an artist almost “at the end of the road”.
“They said it was leaving me, The magic was leaving me. I don’t think so […] Now I could make this last forever”. Displaying such a message to start an album definitely gets everything to the point.
 
“Gospel” has an 80ies sound and the verses’ rhythm section has that easy-to-remember side. Robbie gets a great vocal support from young American Lissie for that song. Lissie made herself a name thanks to her Myspace page that eventually led her to become the opening act of… Lenny Kravitz. “Just” that.
 
Pick up the violin, “Different” is coming up! Real violins sound… mixed with a kill-it-all guitar riff. Also includes the a-we-so-me guitar solo. The whole thing with a choir, another great quality adding solid weight to the track. That song is also a living proof that the most simple sentences are the most effective. “Different” and “Candy” are the result of Robbie’s work with Gary Barlow, the musical mind of Take That. Robbie Williams may be one member of Take That, he has his very own personality. The consequence being that his own music may not always be in full harmony with the one he performs with the quintette. Barlow and Williams stayed away from each other for years… I’m glad to see these two reunited to bring a little bit of their respective talent and personality to write such songs as “Different”. 

 

I was writing that “Candy” was a summer song… “Shit On The Radio” perfectly fits in that category as well. That being said, its title will probably not be a winning one amongst the radio stations. Somehow, I’m not sure the singer’s so wrong. He lives mostly in the United States and me being on the other side of the ocean, I wouldn’t dare judging US radios. On this side of the ocean, though… The over-airing of so-called great artists severely restrains a good musical education. I still don’t see the talent in LMFAO or Sexion D’Assaut’s music and you won’t definitely make me love these more by putting them on air 20 times a day…
Anyway, let’s close the radio subject by saying I’d rather swing in my living room to the sound of “Shit On The Radio” rather than on “Gangnam Style”. And well, dear radios… Maybe you shouldn’t forget that Robbie Williams has always room for some little provocation…
 
“All That I Want” is a recollection of that Robbie Williams’ period I completely tried to forget. Except for those nice guitar riffs that actually make me stick to the song. So I keep dancing in the living room… Guess that may make that song effective after all.
 
Need to stop dancing now… I sit down and listen very carefully to “Hunting For You”. Drums, keyboards, bass, acoustic and electric guitars… I “cut” the song like I explained it in the Noel Gallagher’s High Flying Birds’ review. All the parts are amazing taken separately and make the song a big hit once they’re all gathered together. Add some choir and Robbie’s voice and that the icing on the cake! A cake of multiple layers for an exquisite taste.
 
“Into The Silence” is… It’s difficult to write about a song when that one sent you a “musical” shock in your heart and body. Listening to a song is soooo subjective after all. The song starts with a melancholic vibe followed by a guitar riff that U2’s The Edge or The Killers’ Dave Keuning wouldn’t probably mind performing… Williams hasn’t even said a word and I have a lump in my throat. When he does open his mouth, I’m not getting any better…
Robbie Williams is one of those performers who know their voice enough to never experiment vocal failures. Singing is a natural thing for those artists… At a very specific moment of the song, his voice comes close on its limits. For the first time in all these years, his voice is weak for a split second. In different circumstances, in a different song, it’d have been a disaster. In this one, it’s… simply superb. Probably because this was no weakness… just the necessary fragility to express this song’s beauty. 

Beware : slower version compared to the original one


I barely get over the emotion, Robbie’s taking me for another dance round. Not a little one. “Hey Wow Yeah Yeah” is a 200 miles per hour song! Definitely not a lyrics song. A bit repetitive but a song that may get you standing up on your living room table or on your sofa clapping your hands like crazy. You may need new furniture and an appointment to the doctor to check up on your painful body after that one. Diagnosis: stiff neck. Robbie’s fault, Sir! Was fun on the moment though, you know…
 
While listening to “Not Like The Others”, my first reaction was: “heeeeeeey, Bowie’s Heroes!!!”. The feeling only last during the song’s intro though. The song has its own autonomy and a very different rhythmic from Bowie’s famous song. This is another tune with great energy for a Robbie showing us he hasn’t quite lost his… erm… cheeky side.
I mentioned a few times guitar parts (Different, All That I Want, Hunting For You, Into The Silence) and this song is a new opportunity to praise the guitarists who provided their talent for this album. I rarely noticed that much guitar parts – especially the electric side of it – on a Robbie Williams album and can therefore appreciate even more their inner quality.
 
Lissie is back for “Losers”, a nice duet displaying the great complementary vocals of these two. A duet dealing with fame and the competition generally attached to success. The expression of the instability in that competition where there’s always someone else to replace you before realizing how competition is sometimes pointless compared to Life itself. Robbie Williams starts his album by saying he’ll always be there and… ends it by letting us know he has now things that matters more than other in his life. Brilliant.
 
The biggest difficulty of this album is without any doubt to guess future singles. Generally, some songs have a greater vibe on an album and you can quite easily spot the singles from 2000 miles away. In this case… well… I may have listened “Take The Crown” in a continuous loop for hours, I simply can’t pick potential singles from “ordinary” songs. Each song has its own charm and perfectly fit Robbie Williams, enough to become some music videos. Even worse, the songs have so much energy they’d be great played live. Knowing the singer’s love for live performances, I’d bet he’d have much fun touring for this one album… We may even be direct witnesses of that fun. Yeepee!!
 
I liked listening to this album full of that necessary positive energy as winter is coming… Then I think it’s important to salute other people for those sweet rays of sun light.
Williams picked up producer Jacknife Lee to work on “Take The Crown”. Lee has previously worked with Snow Patrol, R.E.M, Weezer, The Hives or The Cars. He succeeded to extend “Video Killes The Radio Star”‘s magic in a very elegant way.
Seven of the eleven songs of the album were written with young Australians Tim Metcalfe and Flynn Francis. Eight if you count the great “Reverse” on the Deluxe Edition. I wonder where the Hell Williams found these two but… I guess it doesn’t matter in the end… The most important thing is that his association with these two gave birth to these amazing songs. They though aroused my curiosity enough to keep me looking for information. So… Metcalfe and Francis are part of a very new band called Undercolours, apparently still unsigned. I assume that if record companies don’t turn a deaf ear on good music as they often do, a contract should come anytime soon… That’s the worst thing I wish for them. Because their music made me feel good. And not only the one they wrote with Robbie Williams, by the way… 

 

Some of you have already seen this video on my Facebook wall with this as an introduction: “Musical happiness sometimes comes to you through surprising ways”... That is so true… Great voice, great melody, my ears are ready for whatever may coming next. Damn, I think I’m musically in love again… Music will be the death of me! ;)
 
Thinking back… Robbie Williams is one of those few artists I listen when everything goes wrong because, without even being able to explain you why, the sound of his voice makes me feel better and makes me forget about moments of uneasiness I have like any other people. Remembering the circumstances of our first “meeting”… that’s what I call irony!  

Tracklist :
Be A Boy
Gospel
Candy
Different
Shit On The Radio
All That I Want
Hunting For You
Into The Silence
Hey Wow Yeah Yeah
Not Like The Others
Losers (Ft. Lissie)

Bonus Tracks
Reverse
Eight Letters